![]() ![]() First electric guitar built by Hutchinson.Guitar makers began using sheep’s gut to craft the first three strings, while the bass strings were created with silver-plated copper wire wound around a core made of silk thread.In school he painted electric guitars in Art, played them at lunchtime, and built one in Design and Technology. The first instrument James Hutchinson made had a huge one-piece mahogany body 2 ¼ ”-5.7 cm- thick. That was heavy! So during the following year, he made many modifications to it, on the one hand he carved the lid with a deep carved -which you can see in the image below-, and on the other hand, on the back he made it semi-hollow, like the Red Special by Brian May. The result was incredible sustain and a manageable weight.īelow you can see images of James Hutchinson’s first electric guitar. Doubled strings fell out of favor, replaced by single ones, and a sixth string was added. The eighteenth century was generally a time of decline, though, toward the end, some technological innovations helped turn the instrument into one more like today’s guitars. Like any art form, guitar music’s popularity waxed and waned many times during its history. The book, well-known in its day, contained detailed technical instructions, as well as a collection of pieces that are still played today. The Spanish player and teacher, Gaspar Sanz, capitalized on the guitar’s popularity to publish an instruction book in 1674. 1720), a talented Frenchman, played frequently for Louis XIV, dedicating his entire collection of pieces composed during the year 1682 to the French monarch. His popularity introduced these countries to the guitar. His playing became immensely popular among French and English courtiers during the seventeenth century. In fact, an Italian player, Francesco Corbetta (1615 – 1681), published quite a few works played in fingerstyle that took the instrument’s usage far beyond playing chords as an accompaniment. These instruments were also popular in Italy. This instrument was dubbed the ‘Spanish guitar,’ possibly to set it apart from the four-course version. The smaller instrument survived – in its five-stringed version. It was the vihuela, however, that lost favor as the sixteenth century came to an end. Its strings (called courses), as well as its smaller size, made it an easier instrument to use for playing chords and accompanying dances. This four- and later five-stringed instrument helped to develop the Flamenco strumming style called ‘rasgueado’. A large repertoire of music was written for the vihuela, in a special type of notation called ‘tablature.’ Played with the fingers, the vihuela was tuned similarly to the Renaissance lute, which the rest of Europe believed to be ‘The King of Instruments.’Ī smaller guitar-like instrument developed during this time. ![]() Pairs of strings helped the instrument to produce a more vigorous sound. Music for the vihuela, in fact, can be played on modern-day guitars with little change since it has six pairs of strings, similar to the modern twelve-string guitar. The prototype of the modern-day guitar, the vihuela, became the favored instrument for serious musicians in early sixteenth-century Spain. One can see from these illustrations that the Latin guitar comes closer to the shape of the guitars that evolved in Spain and Italy. Detailed, intricate miniatures portray these early instruments. They both appeared in a thirteenth-century manuscript, the ‘Cantigas de Santa Maria,’ presumed to have been written by Spain’s Alfonso the Wise. Two types of guitars are found during the Middle Ages, the Latin guitar and the Moorish guitar. ![]()
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